The Wit and Humor of America (Vol. 1-10) - O. Henry, Mark Twain, Washington Irving, Bret Harte, Nathaniel Hawthorne, Ralph Waldo Emerson, Walt Whitman, Benjamin Franklin, Edward Everett Hale, Henry Wadsworth Longfellow, John Kendrick Bangs, William Dean Howells, Charlotte Perkins Gilman, Henry Ward Beecher, John G. Saxe, James Russell Lowell, Harriet Beecher Stowe, Robert W. Chambers, Edmund Clarence Stedman, Oliver Wendell Holmes, Wallace Irwin, Eugene Field, Anne Virginia Culbertson, John Paul, Lloyd Osbourne, James Montgomery Flagg, Bill Nye, Robert J. Burdette, Wilbur D. Nesbit, Gelett Burgess, James Whitcomb Riley, Frank L. Stanton, Bayard Taylor, Artemus Ward, Elizabeth Stuart Phelps Ward, Charles Dudley Warner, Carolyn Wells, Owen Wister & Marshall P. Wilder

The Wit and Humor of America (Vol. 1-10)

By O. Henry, Mark Twain, Washington Irving, Bret Harte, Nathaniel Hawthorne, Ralph Waldo Emerson, Walt Whitman, Benjamin Franklin, Edward Everett Hale, Henry Wadsworth Longfellow, John Kendrick Bangs, William Dean Howells, Charlotte Perkins Gilman, Henry Ward Beecher, John G. Saxe, James Russell Lowell, Harriet Beecher Stowe, Robert W. Chambers, Edmund Clarence Stedman, Oliver Wendell Holmes, Wallace Irwin, Eugene Field, Anne Virginia Culbertson, John Paul, Lloyd Osbourne, James Montgomery Flagg, Bill Nye, Robert J. Burdette, Wilbur D. Nesbit, Gelett Burgess, James Whitcomb Riley, Frank L. Stanton, Bayard Taylor, Artemus Ward, Elizabeth Stuart Phelps Ward, Charles Dudley Warner, Carolyn Wells, Owen Wister & Marshall P. Wilder

  • Release Date: 2024-04-27
  • Genre: Humor

Description

The Wit and Humor of America gathers ten volumes of American comic writing into a capacious archive of satire, burlesque, dialect sketch, parable, anecdote, verse, and social observation. Moving from early republican wit through nineteenth-century regionalism and the modern magazine sketch, it reveals humor as both entertainment and cultural criticism. Comic monologues, mock-heroic poems, and sharply observed tales sit beside enduring reflections on politics, manners, sentiment, class, and national self-invention. Its contributors encompass major essayists, poets, storytellers, reformers, journalists, and popular humorists whose careers span the formative decades of U.S. literary culture. The collection brings Transcendentalist moral irony, Gothic allegory, local-color vernacular, domestic satire, frontier exaggeration, and emerging urban comedy into productive relation. These varied voices illuminate how humor engaged abolition, gender conventions, democratic rhetoric, regional identity, and the expanding marketplace for print, while preserving the distinct idioms of American public life. Recommended for students, scholars, and general readers, this anthology offers an unusually broad opportunity to trace the development of American humor across genres and generations. Its ten-volume scope makes it valuable both as a literary resource and as a record of changing social attitudes. Readers will find not merely isolated jokes, but an ongoing dialogue about authority, belonging, language, and the comic possibilities of everyday experience.